Sometimes it is best to provide no feedback at all.
A critique of my own performance as “Jack Pike” in The Forgiven (2015).
Self-conscious fetish in search of a soul.
Shots and Cuts provide the deeper context of three famous film scenes.
A film that calls attention to its unconventional editing.
You’ll believe a man can fly.
Portrait of the Artist as a Young Woman.
Portrait of a Caricature as a Young Man.
Sacrificed on altars of dark righteousness.
I ain’t afraid of no boogeyman.