#cinema – Michael Sean Erickson

Jack Pike Sucks

A critique of my own performance as “Jack Pike” in The Forgiven (2015).

Self-conscious fetish in search of a soul.

Miscellaneous impressions captured in my film school journal.

Shots and Cuts provide the deeper context of three famous film scenes.

A film that calls attention to its unconventional editing.

You’ll believe a man can fly.

Portrait of the Artist as a Young Woman.

Portrait of a Caricature as a Young Man.

Music is the life blood of cinema.

Sacrificed on altars of dark righteousness.