I open the cargo hold hatch, while holding on tight.
I sense that she is motivated by routine as much as by pride.
I watch the drone screens flying over the I-10.
Like they are whitewater rafting through the silver screen.
A critique of my own performance as “Jack Pike” in The Forgiven (2015).
Self-conscious fetish in search of a soul.
Miscellaneous impressions captured in my film school journal.
Shots and Cuts provide the deeper context of three famous film scenes.
A film that calls attention to its unconventional editing.
You’ll believe a man can fly.