#cinema – Michael Sean Erickson

Releasing Skeletons Dream

I open the cargo hold hatch, while holding on tight.

I sense that she is motivated by routine as much as by pride.

I watch the drone screens flying over the I-10.

Like they are whitewater rafting through the silver screen.

A critique of my own performance as “Jack Pike” in The Forgiven (2015).

Self-conscious fetish in search of a soul.

Miscellaneous impressions captured in my film school journal.

Shots and Cuts provide the deeper context of three famous film scenes.

A film that calls attention to its unconventional editing.

You’ll believe a man can fly.